I can't relate to the sexualization of the body and I can't relate to the glamorization of the female body. Since this work is around bodies and involves a lot of sexuality, I have more to defend with a female character because I do believe that the way the female body is portrayed on our screens is unrelatable. At one point I thought it could be a guy, because you explore all options. This waxing scene is very important to me, because it's not by chance that I chose to have my main character be female. The Brazilian waxing scene made me the most squeamish. You touch on the horrors of being a woman, too. Actually, I see a lot of positivity in the figure of the monster, if it's seen in the first-person narration. Does this mean that you're a monster? I don't think we have to fit in. Yeah, people tell you you have to fit in and you don't feel like you can fit in. It reminded me, to an extreme degree, of my first year at college. There are other horrors here, like growing up. I've always found that funny, because we have all felt-and we will, and we sometimes still do feel-like monsters, you know? For me, the concept of monstrosity should be seen as "I," not as "they." For me, this is a point where my audience can actually relate to my character no matter what she does. Usually monsters are called "them." They are creatures from outer space, or zombies, stuff like that.
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I like that this is a horror movie with no clear villain. As can be expected, this goes horrifyingly wrong.
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At school, she joins her older sister Alexia (Ella Rumpf), who shows her how to dress cool and fit in, and gives Justine her first Brazilian wax. Her anti-heroine is Justine (Garance Marillier, also in her first feature), a veterinary student who finds a new appetite for flesh-especially of the human kind-after a freshman-year hazing gone wrong in which she breaks her lifetime practice of vegetarianism to eat a raw rabbit kidney.
But Julia Ducournau, the first-time feature director of the visceral and brilliant French horror Raw, isn't interested in misandry, and she eschews predictable narratives of women avenging men by eating them. Agnieszka Smoczynska showed us cannibal mermaids who feed on men in this year's The Lure, and Ana Lily Amirpour will put cannibal romance on our movie screens later this year with The Bad Batch (and in her 2014 vampire film A Girl Walks Home Alone at Night, her leading lady only feasted on men). Cannibalism is pretty hot right now, especially among female filmmakers.
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